In The Bleak Midwinter BY CHRISTINA ROSSETTI

In the bleak midwinter, frosty wind made moan,
Earth stood hard as iron, water like a stone;
Snow had fallen, snow on snow, snow on snow,
In the bleak midwinter, long ago.

Our God, Heaven cannot hold Him, nor earth sustain;
Heaven and earth shall flee away when He comes to reign.
In the bleak midwinter a stable place sufficed
The Lord God Almighty, Jesus Christ.

Enough for Him, whom cherubim, worship night and day,
Breastful of milk, and a mangerful of hay;
Enough for Him, whom angels fall before,
The ox and ass and camel which adore.

Angels and archangels may have gathered there,
Cherubim and seraphim thronged the air;
But His mother only, in her maiden bliss,
Worshipped the beloved with a kiss.

What can I give Him, poor as I am?
If I were a shepherd, I would bring a lamb;
If I were a Wise Man, I would do my part;
Yet what I can I give Him: give my heart.

“In the Bleak Midwinter: From Poem to Beloved Christmas Carol”

When we think of Christmas carols, cheerful tunes like “Jingle Bells” or “Deck the Halls” often come to mind. However, there’s one beloved carol that captures the serene beauty and contemplative spirit of the season like no other: “In the Bleak Midwinter.” In this blog post, we’ll explore the origin of this famous Christmas song, its transformation from a poem to a musical masterpiece, and some notable recordings that have helped it endure through the ages.

The Origin as a Poem

“In the Bleak Midwinter” began its journey to musical stardom as a poem written by the English poet Christina Rossetti. Rossetti, known for her lyrical and emotionally resonant poetry, penned the verses in 1872. The poem paints a vivid picture of the Nativity scene, emphasizing the humble and peaceful nature of Christ’s birth. Its opening lines, “In the bleak midwinter, frosty wind made moan, Earth stood hard as iron, water like a stone,” set the tone for a contemplative and moving reflection on the meaning of Christmas.

Composition as a Song

The transformation of Rossetti’s poem into a song is credited to the English composer Gustav Holst. Holst, renowned for his orchestral works like “The Planets,” set “In the Bleak Midwinter” to music in 1906. His composition perfectly complements the poem’s introspective and reverent tone, making it a favorite among choirs and musicians. Holst’s melody has a hauntingly beautiful quality that enhances the poem’s emotional impact.

Notable Recordings

Over the years, “In the Bleak Midwinter” has been recorded by numerous artists and choirs, each offering their unique interpretation of this timeless carol. Some of the most notable recordings include:

  1. Gustav Holst’s Arrangement: Holst’s own choral arrangement of the carol remains a classic interpretation, showcasing the composer’s skill in marrying music and poetry.
  2. The Choir of King’s College, Cambridge: This world-renowned choir has performed a stunning rendition of “In the Bleak Midwinter” as part of their annual Festival of Nine Lessons and Carols.
  3. James Taylor: The folk and pop legend lent his soothing voice to this carol, creating a warm and comforting version that’s become a cherished part of his holiday repertoire.
  4. Sarah McLachlan: Known for her angelic voice, Sarah McLachlan’s rendition of the carol adds a contemporary touch while maintaining the song’s timeless beauty.

“In the Bleak Midwinter” is more than just a Christmas carol; it’s a profound meditation on the essence of the holiday season. Christina Rossetti’s heartfelt poem, coupled with Gustav Holst’s exquisite composition, has given us a musical masterpiece that continues to touch hearts and souls each year. As you listen to its haunting melody and contemplate its poignant lyrics, you’ll find that it encapsulates the true spirit of Christmas – a time for reflection, gratitude, and the celebration of love and hope.